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AutoClip for Freelancers

Take on more clipping clients without adding editing hours

If you sell clipping as a service, your ceiling is hours, not demand. Every extra client means another few hours a week in the timeline, so the roster stops growing around the point where your calendar fills. AutoClip moves the repetitive part — finding the moment, reframing it, captioning it, exporting it — off your hands, so the time you spend per client shifts toward review, direction, and selling.

The Problem

  • Your client count is capped by editing hours, not by how many people want the service
  • Every client expects steady weekly volume, which is exactly what manual work can't hold
  • Hours in the timeline are hours you aren't spending finding the next client
  • Turnaround speed is what clients notice, and it's usually the first thing to slip

The Solution

  • Point each client's source channels at monitoring and their clips arrive without you submitting anything
  • Clips are watermark-free on every paid plan, so what you deliver is client-ready as-is
  • Brand kits let you save each client's caption style, fonts, and logo and apply them per job
  • You still control the final cut — the timeline editor is there when a clip needs trimming before delivery

Recommended Plan

Scale ($79.99/mo) — 1200 credits, 50 videos, 10 monitored channels, 25 social accounts, unlimited brand kits

View all plans

Frequently Asked Questions

Can I manage multiple client accounts with AutoClip?

Yes. Monitor different source channels per client and route each one to that client's connected accounts. Scale covers 10 monitored channels and 25 connected social accounts, and unlimited brand kits keep each client's look separate.

Will clients know I'm using AutoClip?

Only if you tell them. Clips on every paid plan export without an AutoClip watermark, and brand kits let you apply the client's own logo and caption style instead. What you're selling is judgment and consistency — how you produce it is your business.

Is AutoClip quality good enough for client work?

For the volume tier of clipping work, yes: reframing keeps the speaker centered, captions land word-by-word in sync, and cuts fall on speaker changes rather than mid-sentence. Where it will not replace you is anything with a specific creative brief — custom motion graphics, sound design to picture, narrative edits. Plenty of freelancers run AutoClip for the daily volume and hand-edit the hero pieces.

How does AutoClip change a freelancer's workload per client?

The finding-and-formatting work goes away; the reviewing and directing work stays. Instead of scrubbing a two-hour source, you open a ranked list with a scoring breakdown, approve the ones you want, and adjust anything that needs it. How many clients that lets you carry depends on how much revision your clients expect — a hands-off retainer scales very differently from one that wants notes on every cut.

What plan do freelance clippers need?

Scale at $79.99/mo is the usual pick: 1200 credits (1 credit = 1 minute of source), 50 videos, 10 monitored channels, 25 connected accounts, priority processing, unlimited brand kits, and sources up to 10 hours. If you're running two or three clients, Pro at $39.99/mo with 500 credits and 3 channels is enough to start.

AutoClip for Others

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